![]() ![]() They spend every summer at Lake George in New York with the Stieglitz family, "and that family very much intruded on O'Keeffe's time to paint," Greenough says. The couple lives with Stieglitz's family, which proves difficult for O'Keeffe. O'Keefe deeply wants to have a child, and Stieglitz does not, Greenough explains. "And yet by the mid-'20s, difficulties start creeping into the relationship you can see the cracks in the relationship." "They were entranced - passionately in love," Greenough says. O'Keeffe comes to New York, and she and Stieglitz begin living together almost immediately. Still, eagerly, he gets a small studio cleaned and aired for her, and writes: "All I want is to preserve that wonderful something which so purely exists between us." Stieglitz worries that he won't be able to provide for her. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library Letter by Georgia O'Keeffe, Nov. "And O'Keeffe was a schoolteacher" - teaching art in Texas. "Stieglitz was the most important person in the New York art world," explains Greenough, head of the photography department at the National Gallery of Art in Washington, D.C. She, on the other hand, was 28 and unknown. When Stieglitz and O'Keeffe met in 1916, he was 52 and famous - an internationally acclaimed photographer, with an avant-garde gallery in Manhattan. My Faraway One, edited by Sarah Greenough, features 700-plus pages of the couple's correspondence, sent between 19. The first volume of those letters has just been published. ![]() The correspondence tracks their relationship from acquaintances to admirers to lovers to man and wife to exasperated - but still together - long-marrieds. Painter Georgia O'Keeffe and photographer Alfred Stieglitz wrote each other letters - sometimes two and three a day, some of them 40 pages long. G.From 1915 until 1946, some 25,000 pieces of paper were exchanged between two major 20th-century artists. Italian Family Archives: The Spinelli CollectionĬarol Bresnahan Menning, University of Toledo Interrogating Manuscript Sources of Tudor and Stuart BritainĪlbert Delorez, Université Libre de Bruxelles Peter Palmquist, David Plowden, Richard Benson The Material Culture of American Photography Reading Prints and Graphic Images, 1740-1840 John Barnard, retired Professor of English Literature at the University of Leeds Manuscripts and Meaning: Reading the Primary Sources of Tudor and Stuart Englandīarbara McCorkle, former curator of the Yale University map collection Suarez, S.J., Oxford University & Fordham University Interpretive Acts: Theory and Practice in the Scholarly Editing of Literary Texts Pictures as Primary Sources for American History Louise George Clubb, Professor Emerita of Italian Studies and Comparative Literature at the University of California, Berkeley Dobranski, Professor of Renaissance Literature and Textual Studies at the Georgia State University Annenberg Professor in the Humanities and Professor of English, University of PennsylvaniaĪlbert Derolez, Professor Emeritus of Palaeography and Codicology at the Université Libre de Bruxelles President of the Comité International de Paléographie Latine Michael Winship, Iris Howard Regents Professor II of English at the University of Texas at AustinĪlbert Derolez, Curator Emeritus of Special Collections in the Universiteitsbibiotheek Gent Professor Emeritus of Palaeography and Codicology at the Université Libre de Bruxelles ![]() The Industrial Book in America, 1830-1914 Thomas Tanselle, former Vice President of the John Simon Guggenheim Memorial Foundation, and Professor of Bibliographic Studies at Columbia University. Late Bibliographical Description and Scholarly Editing Martha Sandweiss, Professor of American Studies and History, Amherst College Stefano Zamponi, Professor of Latin Palaeography, Director of the “Dipartimento di Studi sul Medioevo e il Rinascimento,” and Director of the School of Doctoral Studies in Philology and Textual Transmission at the University of Florence Maija Jansson, Director of the Yale Center for Parlimentary HistoryĮnglish Paleography and Archival Sources (16th-18th Century) Thomas Tanselle, retired from the vice presidency of the John Simon Guggenheim Memorial FoundationĮnglish Paleography and Archival Sources, 16th-18th Century Ethnic Studies at the University of Vermontīibliographical Description and Scholarly Editing Johan Kugelberg, author and curator based in New YorkĪpproaches to Biography in the James Weldon Johnson CollectionĮmily Bernard, Associate Professor of English and ALANA U. Working with Alternative Media: Documenting Counter-Culture Laura Wexler, Professor of American Studies and of Women’s, Gender, & Sexuality Studies and George Miles, Curator, Yale Collection of Western Americana Working from the Archive: Pictures as Primary Sources Richard Benson, Professor,Yale School of Art ![]()
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